Herringbone Hearts...Anatomy of a Border

There was this experiment I just had to try.
I've been wanting to see just how far I could push the use of a single stitch in a crazy quilt, to put a greater focus on the threads and use of the supplies in general within the context, of well..... herringbone, without the distraction of the visuals caused by lots of combination stitches.
And this push of my personal CQ envelope involved some 38 mm silk ribbon. And pliers!

I started by laying out the "base" fabrics for the border, green silk that had been interfaced and then the edges sewn because it is very ravel-y and was going to be subject to some heavy stitching abuse.

I measured the distance across the quilt every 12" or so to make sure my strips were parallel as I pinned them on.  I knew that I had to applique them as I would never be accurate enough otherwise.  No turned under seam was necessary though, as it would be covered by trim later.

May the quality control expert took a break to look out the window while I was sewing on the green silk.
Then came the trim.

I got this green woven metallic trim off of Ebay from a seller of Indian sari silks.  There are lots of great trims to be found on Ebay!  I liked it for this quilt because it has hearts in it, and the metallic would add some shine.
So I pinned it in place...

....with many extra pins where the trim would cover the Evil Velvet.  Otherwise, no matter what, the trim would slip while I was sewing it down.
Ha, you velvet!  I own you.....

Corners are always a big deal in quilting--no avoiding that fact.  So I did my best to miter these neatly.

I forgot to photograph running that line of brown herringbone along the upper edge of the trim after it was sewn on.  I was too excited to try my experiment, using really wide silk ribbon in a herringbone stitch.  This is 38 mm from Dharma that I dyed.  It has a woven edge; it's not bias cut.  I needed it that way because it would shred as I pulled it through the silk otherwise.  But this ribbon, in a giant needle and pulled through with pliers for each stitch, held up perfectly fine.
It is really puffy, isn't it?

It was so big and wide that I used my finger as a laying tool as I pulled my stitches into place!

After the 38mm ribbon was on, I went back and wrapped the herringbone stitch above it along the trim.  I was going for more of a raised look and added just a little more color, to blend in with the stitching on the blocks.

This definitely changes the look and feel of the quilt.  It is exceedingly textural now.

In this picture I have ironed under the base border fabric and pinned it.  I will back the quilt later but this is about how it will look finished (squared up better though.)  I have to be very careful with the iron around that puffy herringbone because one false move and it is flat forever.

I'm going to be away teaching the next two week-ends so it will be a little while before I am back here..but I'll keep in touch by reading your blogs and will be posting to Facebook along the way as I travel to Santa Cruz, California and Olympia, Washington.  See you soon!

"Home is Where the Quilt Is"...

Every year I am most happy to support the annual quilt contest and fundraiser held by the Alliance for American Quilts.  I am not eligible to win, being a board member--and the prizes are really great--but I love the design challenge and to join my fellow quilters in this effort.

This year's theme is "Home is Where the Quilt Is", and the quilt must be shaped like a simple house, in the set dimensions of 15" X 19 1/2".

Did I love making my quilt!  It was inspired by this part of the view out my sewing room window.

Especially that little barn.....

I did have to simplify everything of course...
Here are a few more details...

This tatting was given to me by Marie, who was in my last post. I just brushed it with some Tsukineko ink to turn it into the sun.

I can't leave out three dimensional flowers, can I?

It's been too long since I've played in the flowers!  Spring must be coming to the Washougal River Valley....

I have been collecting vintage quilt blocks for a long time and felt that they would help with the theme of this quilt.  I pieced those white and green flying geese using vintage fabrics oh...about...20 years ago!

The contest quilts will be displayed all over the country this summer, and then auctioned off on EBay in the fall, as in years past.  The income is critical for the Alliance for American Quilts which as a non-profit accomplishes so much on a very lean budget.  I hope you will make an entry too; find the information here.

There is a HandiQuilter out there for the winner, as well as many other prizes.  But most of all, you will be supporting a great cause and participating in a wonderful challenge, keeping our quilting tradition fresh and new!  The deadline is June 1, 2012, so you still have lots of time....

How to Iron a Straight Line

This might be an old trick to you appliquers out there, but I just learned it from one of my students yesterday while giving a workshop on my "Pretty Crazy" pattern at our delightful local quilt shop in Camas, Washginton: RiverQuilts.

Yes, I said "learned this from one of my students".  That is one of the many rewards of teaching--I always come home with new knowledge!

The Pretty Crazy pattern calls for lots of fabric strips with ironed under edges. Marie showed us an easy and great way to iron under those edges in a perfectly straight line, without burning your fingers.

All you need is a ruler, a smooth dressmaker's tracing wheel, like this one, and a hard surface.

What you do is run the wheel along the edge of the ruler where you want your fold to be.  This "scores" the fabric, not cutting any fibers, but making a nice dent.  Marie says she can get as small as a 1/8" fold this way (good for those fine flower stems in applique.)

Here is the flannel strip with it the edge folded up, before it is even ironed! 
I didn't get a shot of the ironed strip, but you know it turned out perfect.

Thank you so much, Marie!!!